Neofeud is a Dystopic Cyberpunk adventure game in the vein of Blade Runner, but with an overlay of Game of Thrones-like political intrigue, and 1366×768, hand-painted, stylized visuals. The art, writing, programming, music, and audio are made by one person, Christian Miller, also known as Silver Spook, with the exception of 50% of the voice acting. 2033 – We create AI. Sentient robots arrive, but not as our Terminator overlords or our Singularity saviors — conscious machines are humanity’s unwanted bastard children. A few are geniuses who design flying cars, beat cancer, invent teleportation, but millions of defective prototypes roll out of factories — mentally challenged, motivationally-challenged, criminally-inclined. Legally conscious, but unhirable, these “Defectives” are shuffled through public housing and welfare assistance, straining the already overburdened back of the meager social safety net. The robots who don’t end up in prison are dumped, as a last resort, into a massive landfill known as “The Pile”. Humans engage in perfection of their species — or at least the powerful and well-connected — genetically engineering children with human and animal DNA. The failed eugenics experiment “Frankenpeople” are discarded into “The Pile” as well. The new dynasties, ‘Neofeudal Lords’, live in towering neon glass castles, shuttle around in pristine nanotech-enabled pods, minds and bodies full of cyberware, spending most of their time taking selfies and “optimizing their monetization schemes”. A race of supermen concerned only with their own status, their prestige, their success. Where machines have become all too flawed and human, people have become flawless, perfect, cold machines.